Some great composers create music so aesthetically complex that hardly anyone can play them. For example, hardly any pianist has hands big enough to reach some of Rachmaninoff’s chords. But where there is a will, there is a way.
HT: C. R. Biggs
Christianity, Culture, Vocation
November 15th, 2007 | Art, Music
Some great composers create music so aesthetically complex that hardly anyone can play them. For example, hardly any pianist has hands big enough to reach some of Rachmaninoff’s chords. But where there is a will, there is a way.
HT: C. R. Biggs
Gene Edward Veith is the Provost and Professor of Literature at Patrick Henry College, the Director of the Cranach Institute at Concordia Theological Seminary, a columnist for World Magazine and TableTalk, and the author of 18 books on different facets of Christianity & Culture.
Lucas Cranach was the great artist of the Reformation. He was a close friend of Martin Luther. He was a businessman, who first printed Luther's translation of the Bible; a politician, who served on the Wittenberg town council and served the city as its mayor; a chemist, who operated a pharmacy; a teacher, who trained a host of apprentice artists; a family-man, who helped arrange Luther's marriage with the two men serving as the godfathers of each other's children; and an active layman in his church, who gave his pastors important personal and material support. As a Christian who lived out his faith in his many different callings, Cranach thus embodies the Reformation doctrine of vocation, using the gifts God had given him in service to Christ and his neighbor in the church, the family, the workplace, and the culture. In the spirit of Lucas Cranach, this blog will discuss wide-ranging issues of Christianity and culture with a Lutheran twist.
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7 comments ↓
More video clips of the Victor Borge-inspired musical antics of Aleksey Igudesman and Richard Hyung-ki Joo can be seen at their “A Little Nightmare Music” website, http://www.igudesmanandjoo.com/igujoo.htm.
“The Piano Lesson” is funny (in a 3 Stooges way) and involves ragtime music, but it may bring back nightmares of some piano students… or some piano teachers.
Joo’s operatic pop (”popera”) version of the Beatles’ “Ticket to Ride” also reminds me of some Victor Borge or Anna Russell routines.
That’s http://www.igudesmanandjoo.com/igujoo.htm (without the period).
Another reason for a “preview” option.
Another reason for
Nice tune…
… but really…
… black socks with short trousers?
Only the parousia awaits….
Wow! Igudesman and Joo are two brilliant—and hilarious—individuals! I hope I get to see them when they come tour the United States.
where were these guys back when I was trying to play rachmananoff . what a great idea. I would suspend those things with bungee cords over the piano so i could do a solo act tho….
Victor Borge–who was ever funnier? Those same bits still crack me up.
Glad to see musicians following in his footsteps. Their humor shows their intelligence. And it’s funny.
“Where were these guys back when I was trying to play Rachmananoff?”
Kindergarten, perhaps?
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