A Ugandan pastor and AIDS worker, the Rev. Sam L. Ruteikara, writes in “The Washington Post,” no less, that Western activists are making things worse by pushing for sexual permissiveness:

In the late 1980s, before international experts arrived to tell us we had it all “wrong,” we in Uganda devised a practical campaign to prevent the spread of HIV. We recognized that population-wide AIDS epidemics in Africa were driven by people having sex with more than one regular partner. Therefore, we urged people to be faithful. Our campaign was called ABC (Abstain, or Be Faithful, or use Condoms), but our main message was: Stick to one partner. We promoted condoms only as a last resort.

Because we knew what to do in our country, we succeeded. The proportion of Ugandans infected with HIV plunged from 21 percent in 1991 to 6 percent in 2002. But international AIDS experts who came to Uganda said we were wrong to try to limit people’s sexual freedom. Worse, they had the financial power to force their casual-sex agendas upon us.

PEPFAR calls for Western experts to work as equal partners with African leaders on AIDS prevention. But as co-chair of Uganda’s National AIDS-Prevention Committee, I have seen this process sabotaged. Repeatedly, our 25-member prevention committee put faithfulness and abstinence into the National Strategic Plan that guides how PEPFAR money for our country will be spent. Repeatedly, foreign advisers erased our recommendations. When the document draft was published, fidelity and abstinence were missing.

And somehow, a suspicious statistic attacking marriage appeared. The plan states that the HIV infection rate among married couples is 42 percent, twice as high as the rate among prostitutes. Our requests for the source of this statistic were repeatedly ignored. In fact, the 2004-05 Ugandan HIV/AIDS Sero-Behavioral Survey found that HIV prevalence among married couples is only 6.3 percent, far lower than infection rates among widowed (31.4 percent) or divorced (13.9 percent) Ugandans.

When Washington insiders were alerted to these scandals, the words “abstain” and “be faithful” were quietly reinserted into the plan — on paper. But that doesn’t guarantee these methods will be implemented or promoted. Meanwhile, the dubious marriage statistic remains.

As fidelity and abstinence have been subverted, Uganda’s HIV rates have begun to tick back up. . . .

Meanwhile, effective HIV prevention methods, such as urging Africans to stick to one partner, don’t qualify for lucrative universal-access status. . . .

We, the poor of Africa, remain silenced in the global dialogue. Our wisdom about our own culture is ignored.

Telling men and women to keep sex sacred — to save sex for marriage and then remain faithful — is telling them to love one another deeply with their whole hearts. Most HIV infections in Africa are spread by sex outside of marriage: casual sex and infidelity. The solution is faithful love.

So hear my plea, HIV-AIDS profiteers. Let my people go. We understand that casual sex is dear to you, but staying alive is dear to us. Listen to African wisdom, and we will show you how to prevent AIDS.

Billy Collins, the former U. S. Poet Laureate, tells about how he was influenced as a poet by Bugs Bunny, Daffy Duck, and other Warner Brothers cartoons. The piece will open your eyes to both the creative process and the genius of those cartoon classics. You should read the whole thing, but here is a sample from Inspired by a Bunny Wabbit:

I think what these animations offered me besides some very speedy, colorful entertainment was an alternative to the static reality around me that dutifully followed the laws of the physical world. The brothers Warner presented a flexible, malleable world that defied Newton, a world of such plasticity that anything imaginable was possible. Bugs Bunny could suddenly pull a lawn mower, or anything else that might come in handy, out of his pants pocket, and he wasn’t even wearing pants. Flattened by a 500-pound anvil, Wile E. Coyote could snap back into shape in a heartbeat. A box containing a pair of Acme rocket-powered roller skates would arrive in the desert with no sign of a delivery service (though you suspected it would be called Ace Delivery).

Plus, characters could jump dimensions, leaping around in time and space, their sudden exits marked by a rifle-shot sound effect. Anticipating the tricks of metafiction, these creatures could hop right out of the world of the cartoon and into our world, often Hollywood itself to consort with caricatures of Eddie Cantor and Marilyn Monroe. Or Bugs would do the impossible by jumping out of the frame and landing on the drawing board of the cartoonist who was at work creating him. This freedom to transcend the laws of basic physics, to hop around in time and space, and to skip from one dimension to another has long been a crucial aspect of imaginative poetry.

The columnist Mark Steyn, who was hauled before a Canadian human rights commission for criticizing Islam, was vindicated, relunctantly, by the panel.

I had three conference calls yesterday, plus meetings and deliberations, so I missed the premiere of the new “Issues, Etc.” Could someone report on how it was, what the subjects were, etc.?

UPDATE: Here is Mollie Hemingway’s account.